WHY WOMEN MUST
GET OUT OF MEN'S LAPS
By Andrea Dworkin
Andrea Dworkin is the author of
Scapegoat: The Jews, Israel, and
Women's Liberation, which
won an American Book Award,
Intercourse, Pornography: Men
Possessing Women, and the
novels Mercy and Ice
and Fire. Her newest book is
Heartbreak: The Political
Memoir of a Feminist Militant.
He's
a greedy piece of work, this
consumer of other live human
beings.
Glasgow needs to be thanked.
Through consistent and effective
feminist organising for the
equality and dignity of women
over a 30-year period, a new
lexicon has reached responsive
politicians who are willing to
ban lap-dancing because of its
affront to the integrity of
women.
Objectification is recognised
for what it is: the dehumanising
of a subordinated group for the
purpose of civil and sexual
dominance. Commodifying the
sexuality of women is recognised
for what it is: the abuse of
women's bodies as if women were
products for mass consumption.
Lap-dancing is seen for what it
is: living pornography.
The struggle for this
consciousness has been long and
hard. It is joined now by the
Glasgow City Council, and a
licensing board. The recognition
that sexual exploitation is
incompatible with equality is
shared by a community of people
in the mainstream. This
community has demonstrated
courage by refusing to give in
to the pressure of those who
organise lap-dancing and the
johns who consume it.
The primary issue is the status
of women, who are inevitably
demeaned by being treated as
less than fully human, as
objects who can be used and
misused. It is only when
defending sexual objectification
in prostitution and its sister
phenomena (lap-dancing,
stripping, pornography) that
women get to be "consenting
adults". Giving up one's body
for money is the signature of a
woman's consent.
In California a man named
Lawrence Singleton raped a
teenage girl and cut off her
arms. As a final gesture he
threw a $10 bill at her nearly
dead body. She had consented, he
said, and he clearly expected
his largesse to prove consent.
Had he not cut off her arms, the
$10 might have bought him an
acquittal.
When the Marquis de Sade
assaulted and poisoned
prostituted women, the exchange
of money was (and still is)
widely regarded as consent. When
the Marquis was prosecuted for
egregious violence by one of his
non-prostitute victims, her
willingness to accept a money
settlement showed her bad
character and that she deserved
what she got. She did more than
consent: he abused her because
she wanted him to . . . so that
she could get the money.
The same algebra occurs every
day in contemporary US courts.
Money for sex cleanses the man;
the woman who takes the money is
consenting to, or has invited
whatever happens to her.
Glasgow City Council and the
licensing board refused to
accept this patriarchal axiom.
Instead, the concern was the
well-being of all women,
including those who did
lap-dancing: commercial sexual
exploitation was seen as a
gateway to violence against
women.
Men did not get to use money to
justify exploiting the
downtrodden. And though the
people I consider to be
exploitative will claim that
middle-class women are racing to
sex emporiums, the fact is that
lap-dancing is for the poor, the
abused, the hopeless. The work
so-called is more deadening and
boring than any assembly line in
any factory, and then there is
the question of vulnerability:
the naked are vulnerable, the
clothed waving pounds are not.
And men are so big and strong.
The one argument for lap-dancing
is the economic one. Even though
women do not consent to poverty,
women are poor, none the less.
Lap-dancers are described as
self-employed. They pay the boss
£80 a night and 15% of the tips
they make for the privilege of
being sexual commodities. They
are said to make a whopping
£25,000 a year.
Every woman, said the women's
movement, is one man away from
welfare.
Lap-dancers require considerably
more than one man. Women working
in the same jobs as men still
get paid less than their male
counterparts. But no-one would
expect to see an epidemic of
male lap-dancing. Some forms of
degradation are female-only. As
with most so-called sex work,
the lap-dancers are closer to
indentured servitude than to
capitalist pigdom.
It is hard to imagine a time
when men will run out of ways to
exploit women's bodies for
sexual entertainment.
Lap-dancing is the craze du
jour, a hair-breadth away from
prostitution, or conjoined with
it. It might be better to bring
back bear-baiting as a public
spectacle than to make each
man's lap a kingdom on which the
glamorous serfs will perform as
dancing girls to bring him the
pleasure of the pornographic
nude in action . . . and for
him, all for him. He is king of
the world.
The sexual proletarian has to
convince him that she is on his
lap, of all the laps in the
universe, because she wants to
be. His lap is special, don't
you see, as each and every time
she goes through the ordeal of
making him twice his natural
size. Virginia Woolf did not
imagine that the man would have
mirrors of this sort . . . live,
naked, dancing lap-women . . .
with which to enhance and
enlarge himself.
He's a greedy piece of work,
this consumer of other live
human beings. He thinks the
females exist for him and the
new game in town is that they
come this close, so very close,
to his erect penis without
touching it and then he gives
them money. In the game, as the
rules are written, he flirts
with the continsuum between
impotence and masturbation. Of
course the implicit logic is
that the females do touch it if
he wants and then the women get
more money (at that moment) and
cross a line; no longer dancers,
they become prostituted women,
the genuinely marginal women to
whom anything can and will be
done.
Lap-dancing is a rung above the
bottom. Prostitution is the
bottom.
The fall is inevitable because
lap-dancing is foreplay in lieu
of the main event. The men are
excited by the novelty of having
female strangers so close,
purely sexual, expecting nothing
but a few bills. The men are
excited by the rush of having
naked, living pornography so
close. The men are excited by
their own agency, the domination
of "the girls" by money that
they have and "the girls" don't.
Each individual man is king of
the world as he flashes cash.
In order to advocate or consume
lap-dancing a man must think he
is a fascinating sexual figure;
thus it is plausible for him to
argue that he is fulfilling the
woman's need to be naked and
undulating for him. The
arrogance of the assumption is
staggering. The sheer boredom of
man after man after man should
be self-evident, but apparently,
along with celebrating his own
sexual charisma, the man thinks
that women have no brains, no
hearts, no lives worth living.
He's enough. He is reason enough
to condemn her to a degraded
life.
To accept a woman as a sexual
commodity means the man has no
brain, no heart, no life worth
living.
Think about it: the average
idiot (included in this category
are the prominent men who use
lap-dancers) has a right, which
he and his cohort presume, to
use up the life of a woman, to
have her touch or not touch at
his behest, to have her naked
and gyrating, to appropriate her
sexuality for money . . . but
not only her sexuality, also her
vitality, her energy, years of
her life. It's as if the bear
has been let out of the cage
because finally a bunch of bears
has been taught to lick, not
bite.
The women are throwaway women,
and most do end up in outright
prostitution, visited by these
same men, now playing a harder,
more forceful, more depraved
game. In lap-dancing, as in
prostitution, the male has the
illusion of having bought the
female body . . . it's his for
three minutes, or five, or 10.
He has the illusion of having a
right to buy that body.
He has no responsibility for
what happens to that body after
he is done with it. She is an
"it", her body standing in for
her humanity. One has to ask:
are men really this stupid? Then
one grasps the sinister
principle that has allowed all
the banal boys to turn into
nasty but gratified men:
commodifying a human body is the
base principle for all forms of
systematised cruelty:
trafficking in women, selling
slaves in the Sudan, using
violence against another group,
identified by race or gender or
national identity or class.
The big, brave men who want
lap-dancing could use some
lap-slicing in its place.
Copyright © 2002 by Andrea
Dworkin. Used by permission.
Originally published in The
Herald (Glasgow, Scotland)
www.theherald.co.uk
Original link: http://www.nostatusquo.com/ACLU/dworkin/lapdancing.html